Review - TheArtDesk

“Schubert’s last quartet, the G major, D887, sounded fiercer than I’ve ever heard it, a painful battle with death, perhaps this composer’s most consistently anguished, with intense tremolos and searing, startlingly modern questions asked in the stormy episode of the Andante un poco moto. Schubert’s unique conflicts of major and minor have never sounded more extraordinary.”

Read our latest review at the Two Moors Festival by David Nice in TheArtDesk!